Absolute
Formless
Echo
Debacle
Resonance
Diaphragm
Machinism
Polarization
Scale
Animism
Propagation
Interface
Wavelength
Present
Non-Aesthetics
Gesture
Volume
Border
Materialism
Oikophobia
Dynamics
Modulation
Affordance
Hyperstition
Extensionality
Somnambulism
Broadcast
Sadomasochism
Tectonics
Attenuation
Phantom
Render
Enclosure
Agnotology
Friction
Aether
Drafting
Identity
Interpreter
Vacuum
Acceleration
Obsolescence
Zeitgeist
Morphism
Path
Particle
Resolution
Sampling
Gloom
Feedback
Stabilization
Transmission
Protocol
Space
Perception
Enhancement
Impurity
Routine
Orality
Phase
Amplitude
Density
Multiplicity
Determination
Physicalism
Range
Archive
Liminality
Patch
Autonomy
Transduction
Recursivity
Stereophonic
Drag
plasticity
Symmetry
Dissolution
Homeostasis
Doctrine
Degradation
Eternal
Abjection
Arcane
Thermodynamics
Disintegration
Waste
Engine
Substance
Artificial
Vortex
Laboratory
Spectre
Sphere
Plague
Hauntology
Discontinuity
Nostalgia
NR-x
Dissipation
Totem
Afro-Futurism
Mineral
Golem
Continuum
It is undeniable that we invented God so that our wretchedness might be forbidden by somebody greater than that: God is the dialectical opposite of human imperfections. Ideal entities serve as compensations for wretchedness; that is why the qualities ascribed to the gods delineate by contradiction the failings and servilities of their creators. The absolute is the sum of the compensations for human wretchedness. To create so perfect a notion, one has been obliged to renounce this peculiarity and miserable content. The absolute is powerful because is perfectly empty: it is thanks to this characteristic that it represents the perfection of truth. Nothing can be demonstrated by the absolute: the absolute is precisely that supreme truth that remains indemonstrable. Only the details and the interludes can be demonstrated. Yet it is precisely this impossibility of proving the absolute that makes it irrefutable. It is impossible to shatter a lie which, having no object, cannot be related to anything: the lie, in effect, can be proven only if an object, which is readily and at first glance observed, does not seem consistent; which amounts to saying, in instances without importance. The lie limited by an object can be proven, but never the artifice of construction because that excludes the object. It is in this way that works of art are indestructible, on account of their being separate, like the absolute, from the object. The absolute is the greatest expenditure of energy made by humans; we then seek to recoup the energy expended by means of prayers: from which it is evident that one is unable to separate from them in order to find 16 and of our own.
